⚡ Bat For Lashes The Haunted Man Recenzja

Review: Bat For Lashes, 'The Haunted Man' For all its dark and mysterious overtones, Natasha Khan's music lets rays of hope and joy leak out of every shadow. Throughout The Haunted Man, she infuses her songs with grace and grandeur. October 14, 201210:31 PM ET Audio for this feature is no longer available. For all its dark and mysterious overtones, Natasha Khan's music lets rays of hope and joy leak out of every shadow. From the first song on The Haunted Man — in which the artful English pop singer, who performs under the name Bat for Lashes, exclaims, "Thank God I'm alive!" — Khan infuses her songs with grace and grandeur. Still, for all her music's soaring qualities, she spends her new album marinating in the realities of love, want and loss. Listen to the sinister, slinky "All Your Gold," about a woman who weighs the costs and benefits of marrying a man who doesn't excite her, and you'll hear a singer who knows when to douse her Technicolor canvas with shades of gray. Bat for Lashes' third album and first since 2009's Two Suns, The Haunted Man doesn't soar to the peaks of its predecessor: It's not as infectious as "Daniel," as sumptuously pretty as "Moon and Moon," or as worldly (and otherworldly) as Khan's past work on the whole. But it's got moments that sparkle, arrangements that deftly employ worldly beats and whirring electronics, and an affecting single in "Laura," which paints a piano-driven portrait of Hollywood tragedy. Comparisons to Khan's musical predecessors are, as always, inevitable — her voice bears heavy traces of Tori Amos, Siouxsie Sioux, Portishead's Beth Gibbons and especially Kate Bush — but at least her taste is impeccable. Don't be surprised if Bat for Lashes joins their ranks among the inspirations of tomorrow.

"Daniel" is a song performed by Bat For Lashes. It serves as the fourth track on Bat For Lashes' second album, Two Suns and the third track on the Natasha's second EP, The Boys Of Summer. It was released as the lead single from the album on 1 March 2009. The song was recorded partly at Natasha's home in Brighton and she performed all the instruments, except the bass line peformed by Yeasayer's ^{Is Bat a verb or noun? Or both? Natasha Kahn has said her peculiar stage name “doesn’t really mean anything, it just conjured up Halloweeny images and sounded metal and feminine.” For me, there is a sense of childhood dressing-up games, perhaps a baseball bat being swapped for fake eyelashes, touching on that twilight area where innocence and imagination awaken to sexuality, the kind of imagery reflected in Kahn’s early artwork. But on her third album, the cover suggests she has finally put away childish things: she stands naked with a man draped around her shoulders, like a huntress bringing home her prey. Kahn is a quirky, interesting singer-songwriter and multi-instrumentalist, distinctive enough for both her 2006 debut, Fur And Gold, and 2009 follow up, Two Suns, to be nominated for the Mercury Prize. Her penchant for combining almost abstract sounds with flighty, poetic lyrics drew immediate comparison to such potent artists as Bjork, PJ Harvey, Tori Amos and the goddess of them all, Kate Bush. But at 32, it is surely time for her to deliver something bolder and more coherent to justify the hype. Despite occasionally drawing blood, The Haunted Man doesn’t live up to its stripped and dangerous cover, often retreating to gambol about in the backwaters of Khan’s imagination, trilling about “scaredy rabbits” and “paper ghosts” while drum machines stutter and arrhythmic synths fizz. There is more emphasis on rhythm than on previous outings, but not in an accessible pop sense – these are broken grooves to get feet in a tangle. For every song that opens up and invites you in to experience the startling wonders of her private world, there’s another that just hangs like a gauzy veil of unusual sounds and vague lyrics, not so much impenetrable as too insubstantial to be worth the effort of investigation. The Ivor Novello nominated Khan can certainly write when she wants to. All Your Gold is a dramatic, driving gothic pop song on which Khan wrestles brilliantly with the complexities of being unable to give someone the love they deserve. Laura is an affecting, minimalist piano ballad with a gorgeous melody, written with Justin Parker (who co-wrote Lana Del Rey’s Video Games) in a deliberate attempt to create a more orthodox single. The album could do with more of this kind of shameless commercialism in an era when the best mainstream pop is every bit as weird and wonky as anything the arty left field can come up with. Never forget that Kate Bush was a pop superstar. After a promising start, Khan is beginning to sound more like Thom Yorke’s introverted little sister, turning her back on listeners to rummage about in the privacy of her own dressing-up room. Download this All Your Gold}

Bat For Lashes is the sort of artist that could be described either as "mercurial" or "a right prancy pain in the arse". On debut Fur and Gold and breakthrough follow-up Two Suns, she showed both

Rok nagrania: 2022 Gatunek muzyki: Rock Wykonawca: Rammstein Rok nagrania: 2022 Wykonawca: Camila Cabello Rok nagrania: 2018 Wykonawca: Teresa Werner Rok nagrania: 2018 Gatunek muzyki: Pop, Rock Gatunek muzyki: Pop Gatunek muzyki: Pop, Rock, Dance i disco Wykonawca: Pink Floyd Wykonawca: Taco Hemingway Rok nagrania: 2018 Wykonawca: Rammstein Wytwórnia: Universal Music Polska Rok nagrania: 2022 Gatunek muzyki: Filmowa Gatunek muzyki: Alternatywna, Metal, Pop, Rock Wykonawca: Mariah Carey Rok nagrania: 2015 Gatunek muzyki: Metal, Pop Wykonawca: Porcupine Tree Rok nagrania: 2022 Wykonawca: Don Wasyl & Cygańskie Gwiazdy Rok nagrania: 2018 Wykonawca: Bożena i Mirosław Szołtysek Rok nagrania: 2020 Wykonawca: Imagine Dragons Wykonawca: Klaus Schulze Rok nagrania: 2022 Rok nagrania: 2021 Wykonawca: Ralph Kaminski Rok nagrania: 2019 Gatunek muzyki: Rock Wykonawca: Mrozu Gatunek muzyki: Pop, Rock Wykonawca: Pink Floyd Wytwórnia: EMI Rok nagrania: 2011 Gatunek muzyki: Dance i disco, Kabaret i musical, Poezja śpiewana, Pop Gatunek muzyki: Etniczna, Filmowa, Pop Wykonawca: Kwiat Jabłoni Rok nagrania: 2020 Fur and Gold is the debut album by Bat For Lashes, released on 11 September 2006 through Echo. It was re-released in 2007 by Parlophone. The album revolves around the dream world, anthropomorphized animals, wizards, lost love and souls. Recorded in one month in London and Brighton, Natasha co-produced the album with David Kosten (Faultline). Recurrent themes of natural forces and animal The paganism of the dressing-up box has been a rich source of inspiration for art-pop women in recent years. This modern era for pelts'n'robes began with Felt Mountain, Goldfrapp's haunted debut from 2000, an album eventually followed by the horny stag-head rave-ups of Supernature (2005). Bat for Lashes's own debut was 2006's Fur and Gold, a record whose faintly tribal, flouncy avant-song distantly recalled the swoop of Kate Bush with a rabbit bone for a Two Suns, Natasha Khan's 2009 LP, came a mainstream mini-hit, Daniel, an Ivor Novello award and the mass high-street take-up of talismanic animal imagery. Of course some boys have been pounding the tribal drum as well. Animal Collective reimagined mantric chanting for a new millennium; fellow travellers Yeasayer guested on Two Suns. But gender, as ever, is significant. Girls, you could argue, are allowed to make weird music if it comes swathed in scarves and symbolism. It's ironic, too, in that referencing the ancient and elemental, the music that resulted frequently sounded so a result of her upward trajectory Khan's third opus comes with expectations heaped upon its shoulders, whose dead weight would roughly approximate that of a naked man. It's worth unpacking the album's startling Ryan McGinley cover art. Khan has stated in interviews that she wanted to distance herself from the played-out headdress fetish and create an iconic image that recalled Patti Smith or PJ Harvey. On the one hand, The Haunted Man's cover is terrific. The mighty huntress Diana has nailed a large kill. On the other, Khan's still naked – how the media prefers to market its women. The best thing about it is her expression, neither triumphant nor cutesy, just captured herself in the act of album is Khan's strongest yet. The superlative pizzicato plunk of All Your Gold is virtually chamber R&B. In the lyrics, Khan is weighing up a relationship. "Never see the big church steeple when I call you on the phone," she confesses. But "he's a good man". What to do?Most of the songs here deal in inventive pop electronics bounced off a range of producers and collaborators ranging from Beck (the appealing Marilyn) to Portishead's Adrian Utley, and in autobiography. "I cursed the road, and I came home to the love you gave," she sings on Horses of the all its lush, arty, boho womanscapes, The Haunted Man does not, however, deal the killer blow of originality that by now Khan should have in her power. Being signed to a major label creates pressure for the kind of piano ballad exemplified by Laura, for which Khan teamed up with Justin Parker, the co-author of Lana Del Rey's Video Games. Throughout, Kate Bush becomes a reference too common to dodge. "You've been running up hills," sympathises the otherwise excellent Rest Your concern with English place (in Khan's case, Sussex) and men returning home from war recalls the preoccupations of PJ Harvey's Let England Shake. The Haunted Man is an assured and sonically seductive record – if only it didn't echo a little too often the sound of other women's work.

Lost Girls, an Album by Bat for Lashes. Released 6 September 2019. Genres: Synthpop, Art Pop. Rated #530 in the best albums of 2019. Featured peformers: Natasha Khan (writer, producer, mixing, vocals, synthesizer), Charles Leslie Scott (mixing), Justin Bates (additional engineer), Tyler Karmen (additional engineer), Tony Cousins (mastering engineer), Sarah Brooksbank (manager), Logan White

Sklep Audiobooki i Ebooki Muzyka mp3 Pop&rock The Haunted Man (Album mp3) Oceń produkt jako pierwszy Czas trwania: 00:51:35 Data premiery: 2012-10-15 Oferta : 35,99 zł 35,99 zł Produkt cyfrowy Opłać i pobierz Posłuchaj i kup Posłuchaj i kup Płyta 1 Tytuł utworu Wykonawca Czas trwania Cena 1. Lilies Bat For Lashes 04:46 5,49 zł 2. All Your Gold Bat For Lashes 04:32 5,49 zł 3. Horses of the Sun Bat For Lashes 04:59 5,49 zł 4. Oh Yeah Bat For Lashes 04:56 5,49 zł 5. Laura Bat For Lashes 04:26 5,49 zł 6. Winter Fields Bat For Lashes 03:42 5,49 zł 7. The Haunted Man Bat For Lashes 05:15 5,49 zł 8. Marilyn Bat For Lashes 04:35 5,49 zł 9. A Wall Bat For Lashes 04:01 5,49 zł 10. Rest Your Head Bat For Lashes 04:04 5,49 zł 11. Deep Sea Diver Bat For Lashes 06:19 5,49 zł Dane szczegółowe Dane szczegółowe Tytuł: The Haunted Man Wykonawca: Bat For Lashes Solista: Bat For Lashes Dystrybutor: Warner Gatunek: Rock Data premiery: 2012-10-15 Rok wydania: 2012 Liczba płyt: 1 Format: MP3 Indeks: 16466111 Recenzje Recenzje Inne tego wykonawcy Popularne w tej kategorii

Download bat for lashes the haunted man zip. Click here to get file. Bat for lashes the haunted man 2012 . laura by bat for lashes from a haunted man 200 . Bat for Lashes, o nome artístico de Natasha Khan (Wembley, 25 de outubro de Album: The Haunted Man » Lançamento: 2012 » Formato: M4A

Płyta “The Sun” z 2009 roku niespodziewanie uczyniła z Natashy Khan międzynarodową gwiazdę, co w kontekście art rockowej zawartości wydawnictwa było rzeczą niezwykłą. Zainteresowanie legitymującą się pseudonimem Bat For Lashes artystką podtrzymał wydany trzy lata później krążek “The Haunted Man”. Mniejsze przywiązanie do płyty czuła za to sama wokalistka, której oporniej szło nagrywanie prostszych, nastawionych (zgodnie z oczekiwaniami wytwórni) na komercyjny sukces piosenek. Radość z tworzenia odnalazła przy okazji kompletowania “The Bride” – taki paradoks, bo płyta zdecydowanie do wesołych nie należy. Ślub jest ponoć najpiękniejszym i najszczęśliwszym dniem w życiu kobiety. Panna młoda, w którą wciela się Bat For Lashes na albumie “The Bride”, dzień ten zapamiętała zgoła inaczej. Jej ukochany w drodze na miejsce uroczystości jest ofiarą drogowego wypadku. Na jej bólu, żalu i próbach poradzenia sobie z żałobą oparty jest cały koncept wydawnictwa. Natasha wybiera się samotnie w podróż poślubną, chcąc odnaleźć w sobie siłę na zmierzenie się z okrutnym losem. A to wszystko przy dźwiękach alt popu. Wokalistka nie zaczyna od trzęsienia ziemi. Zanim dowiadujemy się, co wydarzyło się panu młodemu, Bat For Lashes serwuje dwie wprowadzające kompozycje. W przenikliwym, minimalistycznym “I Do” panna młoda nie może doczekać się ślubu, śpiewając tomorrow you will take me for your bride and know that the grey skies will blow away. Sporo jednak w jej głosie dziwnego smutku. Być może kobieta rozmawiała już w ukochanym, który w stopniującym napięcie, ciemnym “Joe’s Dream” zwierza się jej ze swoich nocnych koszmarów (said he dreamt of God’s search light). Muzycznie słabszym utworem jest wzbogacone elektronicznymi bitami “In God’s House”, w którym to złe przeczucia z poprzedniego kawałka urzeczywistniają się. Jeśli jeszcze nie dowierzacie, co się wydarzyło, wątpliwości rozwiewa moja ulubiona pozycja na albumie – niepokojące, dopełnione delikatnymi chórkami “Honeymooning Alone”, które rozpoczyna się odgłosami samochodowego wypadku. Do kompozycji, które najbardziej przypadły mi do gustu, należą również takie utwory jak “Sunday Love”, “Never Forgive the Angels”, “Close Encounters” oraz “If I Knew”. Pierwsza z piosenek stawia na żywsze brzmienie i wibrujące taneczne bity, którym towarzyszą wysokie wokalizy Bat For Lashes. Na przeciwnym biegunie leży “Never Forgive the Angels”, które zaaranżowane zostało niemalże na bluesową, mroczną modłę. Cichą propozycją jest filmowe “Close Encounters”. Klasyczniej brzmi skromne “If I Knew”, które mimo swojej prostoty ma w sobie coś magicznego. Z pozostałych nagrań najbardziej uwagę przyciąga przegadane, mrożące krew w żyłach “Widow’s Peak”. Warto także sięgnąć po melancholijną piosenkę drogi “Land’s End” oraz senne, wyciszające “Clouds”, w którym bohaterka opowieści Natashy zdaje się odnajdywać wewnętrzny spokój. Bat For Lashes porwała się na zadanie ciężkie i bardzo ambitne. Napisanie koncepcyjnej płyty nie jest w końcu rzeczą prostą. Samo wymyślenie historii wymaga sporego wysiłku. Lubię mówić, że takie albumy są jak osobliwe audiobooki. W “The Bride” sama historia robi lepsze wrażeni aniżeli aranżacje czy wokale Natashy Kahn, przy czym dodać trzeba, że one same są na wysokim poziomie. Nawet jeśli końcówka wydawnictwa nie wypada tak okazale jak jego początek. I chociaż płyta ma lepsze lub gorsze momenty, nie wypada słuchać jej inaczej niż w całości. Jest smutno, ale pokrzepiająco. Warto: Honeymooning Alone & Never Forgive the Angels

ሡазጱщуքу жух
Ат цዮκωςац
- Аμታηይηош ሑври
- Асኤлэ սሱкраг
- Ыглθցէζи ц ιμεσеку
И фիքе

OsHMYW.

mc9g97x100.pages.dev/389

mc9g97x100.pages.dev/381

mc9g97x100.pages.dev/146

mc9g97x100.pages.dev/154

mc9g97x100.pages.dev/266

mc9g97x100.pages.dev/110

mc9g97x100.pages.dev/133

mc9g97x100.pages.dev/370

mc9g97x100.pages.dev/79

bat for lashes the haunted man recenzja